Tag Archives: Mary Oliver

Mycelium 2023 #3 Summer’s Day

Mary Oliver’s poem The Summer’s Day has been the mycelium of the past week, showing up in the undergrowth and popping up here and there.

The last line and what are you doing with your one wild and precious life, continues to offer up potential. Such an open-ended question, yet deeply determined by the paths already trod and curiously encoded with unlimited possibilities. (It was this line that haunted me when I was discerning whether to run for the public office of Mayor.)

Summer is here in my part of the world and the coastline is full of locals and visitors. There are scenes of happy intergenerational families, flushes of new loves, ancient friendships and teens trusted to be alone for the first time. Between sandcastles and jet skis, ice-creams and sunblock there is the stickiness and ephemeral qualities of a day at the beach. The wild and precious moments being made into memories. Like the poet I witness and wonder how these lives will unfold.  I do this with a little more curiosity and care this summer than I have done in the last. This summer I am the Mayor and that brings into view ways we might all be safe together, support our environment, build community, and trust, and be welcoming to the stranger and respect the custodians. I hold questions like: How are these values fostered in the wild and precious lives of those who arrive on any summer’s day?

There are slurs and taunts, some with great mirth attached to them and others more like orders from a five star general, being shouted into the blue sky between beach cricket matches and speeding cars putting little ones at risk. Hearing some of the language peppered with violent intent, worries me about how those voices are being fed in their undergrowth. I continue to be shocked by the unfiltered nature of many of the words I hear with no regard to the wild and precious lives of others. There is always an arrogance and sense of privilege that irks me, when I hear that kind of language and in that kind of voice in public places.

But nothing will move me from the beauty of the poem and then it shows up again in the celebration of a dear friends 50th anniversary of her profession as a religious sister. Along with two of her faith companions celebrating the same phenomena, they collectively chose this poem as one which has held and inspired their lives.   Invoking the words, they arrive with deep love into my heart – as celebration of all that has been, confirmation of what has been achieved, and an invitation to an open door into the future – blessed, without judgement and totally undefended and vulnerable to all possibilities.

I muse on the meanings and let the words roll around in my head and off my tongue as I recite it again and again after I leave the ritual (and generous celebratory High Tea).  I too don’t know what prayer is, but I do know when I see people gather and share their lives and I am in the presence of those who live their truth and find themselves in the elements, I am party to grace and goodness. I know when I feel the sun on me and take the hand of a child, I am being offered gifts and receiving them with deep gratitude. I see the grains of sand and can’t help but notice the joy they give when shovelled into little buckets that get upturned and created into magical and mysterious worlds.  On a summer’s day, like any day, there is a day to be honoured and respected for all that it brings to any of our wild and precious lives. It is a constant unfolding, like the grasshopper’s wings to open and shut and make a flight path of mycelium to take all that you have found and known, and questions that are emerging from one summer’s day into another and then another and then another.

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean –
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

from New and Selected Poems, 1992
Beacon Press, Boston, MA Copyright 1992 by Mary Oliver

Meeting the moment 2021 #41

I’m in mountain country this weekend, far from familiar surroundings, a national park, World Heritage site where the golden wings of the bower bird are in the air and also woven into the carpets underfoot.  

Being a long way from home, I get a perspective from the tree tops and the rolling mist, reminding me of the good fortune of being able to travel safely to another part of the country.  The birdlife is generous and the rainforest holds the story of Gondwanaland long before dinosaurs and the Yuggera Ugarapul, Danggan Balun and Githabul people called it home.  The place known as Woonoongoora doesn’t need an interpretative sign to tell us it is precious, sacred. I feel very privileged to be able to spend time in the forest on my 63rd birthday – a microdot of time in this 180 million years of landscape. I found myself reciting Mary Oliver’s When I am among the trees, to myself as I wandered along a trail towards a tree top walkway.  

I gazed meditatively at glow worms lighting up a river bank, and green tree parrots flying with crimson rosellas, heard the squawk of a baby tawny owl, saw ancient lichen seemingly floating in mid air and orchids 10 metres high embedded in fern encrusted black booyong trees, bandicoot hotels in the folds of trunks and then there are the brush box who have been carbon dated at 1,500 years old. It is a lesson in complexity, co-existance and ecosystems.  If you are ever trying to teach about ecosystems – such a misused term in many a start up community – I encourage a walk in a park – the more ancient the better!

The metaphor of taking a path to a waterfall, is not lost on me, an occasional stumble and I was paying very careful attention to where I was placing my foot, should I find myself on a slippery surface.  I got to the spectacular view of a waterfall, at this slowest and driest time of the year and it is still falling, making rainbows in the sunlight, and finding its way to the floor of the forest.  

This year has been easier than the last four or five, and there have been less stumbles, still moments to catch my breath and look at the view to see how far I have come, not despite, but because of, weeping making landfall. It seems to be a practice of detachment and pleasing myself more. I am a beginner.  Being in the forest reminds me that this kind of growth is slow and takes serious time. I am particularly taking instruction from the way the fig tree clings to the booyong and uses it as a prop without taking anything from the booyong along the way to the clouds. It has really got me thinking about what props I have around me to help me grow towards the light and which ones I might need to cling to with more confidence and certainty.

I am meeting this moment bowing in gratitude to all those people and landscapes who have propped me up along the way these past 63 years, and taking a blessing from the trees mediated by Oliver: … and you too have come into the world to do this, to go easy, to be filled with light, and to shine.

When I am Among the Trees

Mary Oliver

When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks and the pines,
they give off such hints of gladness.
I would almost say that they save me, and daily.

I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.

Around me the trees stir in their leaves
and call out, “Stay awhile.”
The light flows from their branches.

And they call again, “It's simple,” they say,
“and you too have come
into the world to do this, to go easy, to be filled
with light, and to shine.”
Near Moran’s Falls, Woonoongoora, Lamington National Park, Qld. World Heritage Site Gondwana Rainforest.

Year of activism #45

As votes get counted in the USA, the most destructive hurricane in the history of Central America ripped through Honduras, a trilogy of daily typhoons hit Manila drowns the metropolis. We are all connected through these events in our common occupation of this little blue dot. While these things were going on, I was laughing, dancing, enjoying the good company of family and friends, listening to music, poetry and holding space for others to have conversations. I took time to recognise and celebrate the oldest continuous living culture on the planet in NAIDOC Week. This year’s theme Always Was Always Will Be, brought the centrality of the land to all that has past, all that is, all that is to come. More than once across the week I dipped into my own story to recognise my ancestors would have been part of the dispossession and now it is my generation to who the reckoning and restitution falls. The need for treaties continues to loom large in my mind about what is needed. The place of treaties as agreements and truth telling intertwines with our relationships to past, present and future. Time is indefinite, continuous on the move working away and threading and holding events, memories, actions, dreams in the past, present, and future.

How we mark time whether it be by the moon, the clock, the height of tree growing is embedded in activism. So often we are trying to halt the progress, or speed something up or even turn it back as a way to get to the justice required by the moment. The practice of mindfulness brings depth and width to time and the expanse of this world crystalized into tiny never to be repeated moments, cherished all the more for their fleeting nature. Just imagine if in every moment we were able to hold the time for justice. That is a practice that will take me more than one lifetime! I do try to bring the practice of welcoming the new day, each dawn, as a way of bringing all the time zones together and when I remember across the 24 hours on our axis on the ecliptic plane, that a new day is dawning somewhere right now. The constancy of this natural phenomena is surely an invitation to a new start while honouring what has gone before. This is perhaps the most profound version of a circular economy I can think of and it is linked directly for me to the relationship to the land, seas and stars and in my part of the planet, named and held by First Nations whose land and seas have never been ceded. Without an understanding of time, connectedness and circularity I am not sure justice can arrive.

The practices to restore, recover, regenerate, reuse, repair are all for renewal. While we might design out waste and polluting variables we have to design in, circularity. I am thinking of waste and pollution as how the turn up way beyond single use plastic to single use votes, single use volunteering, single use actions. single use conversations. All our lives depend on it and you have this power in each and every moment. Keeping the conversations going and bringing in the past and the future are essential, we need to know what has gone before and understand what is to come. The places of the futurist and historians are intertwined, the role of the forecasters and the archeologists, the lessons from epigenetics and immunologists are all connected. As activists we are always at a threshold, the point where change is about to happen, the emergent space, the place of new beginnings. To be fully present in that moment is a practice and when we come to the end of our days knowing we too are in this cosmic circular economy – the one household in which we all live. It has been a regular theme in my life since the 1990s, this relationship between household and economics and our home, and ironically I circle back to it often, reinforcing the notion that it was a generative and not extractive lesson from my twenties.

In Blackwater Woods

by Mary Oliver

Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its name is, is
nameless now.

Every year
everything
I have ever learned
in my lifetime
leads back to this:
the fires and the black river of loss
whose other side is salvation,
whose meaning
none of us will ever know.

To live in this world
you must be able
to do three things:

To love what is mortal;
to hold it against your bones
knowing your own life depends on it;
and, when the time comes to let it go,
to let it go.

Mary Oliver New and Selected Poems

For more about: Mary Oliver

Year of activism #41

The Federal budget failed to pay attention to the 51% of the population who are women. There was significant neglect of the way our community runs on the unfettered labour and love of those who stay home, undertake caring roles, hold families and communities together with their extra shifts of volunteering, home help, home nursing and child care. There was neglect or at best scant attention to an economy which can’t be fully functional without the all the efforts that as Marilyn Waring first coined more than a generation ago that “counts for nothing”. I am enraged by a Federal Government who gives lip service to female founders and then after almost a year no money has been distributed, partly because of the shock they got, when four times as many women applied for grants than they anticipated.  I give sincere thanks to all those who toil silently and consistently for program reform and legislative review … but … and it sticks in my throat to add this but … it is not the best use of our time and talents.  We need to turn our attention away from trying to get a system to work for women, and we need to turn even further away from trying to get women to fit into a system that no longer works for them.  I sat in on a webinar on the gender pay gap in the UK this week that provided undeniable evidence that women undertaking leadership courses to get ahead, get a promotion or be more visible in their work place as leaders, had not yielded any increase in salary to women.  In the words of the host, former Australian PM, Julia Gillard, on hearing this evidence, she calmly and clearly stated: “it is not women who need to be fixed, it is the system.”

The politics of grief is never far away, knowing I will and am continuing to have to give up or at a minimum, shift, power in places where my participation is privileged. As we embrace, the apprenticeship of our disappearance, as David Whyte would call it, I am moved to consider how my eldership is unfolding.

While walking today the Pioneer Women’s Trail (a 26km walk through the Adelaide Hills that commemorates early settlers who were women and girls taking their produce to market) I soaked in the history of the walk and the lack of story along the way of the First Nations women who were there before occupation. I was buoyed by the hosts of the event acknowledging country and elders past, present and emerging and touched at the simplicity and humility in which is was delivered by the volunteer safety officer.  I noted there was very little diversity amongst the hundreds of walkers  and wonder how that might be addressed in the future, and the potential for more signage along the way to tell stories to frame decolonization of the landscape, introduced species of flora and fauna and not the least the introduction of the settlers. A large, elderly koala made an appearance at the top of one of the inclines and seemed to take in the sights of us, as we took in the sight of him, for a moment the continuous occupation of the eucalyptus over generations of koalas gave me heart for a time past and a time to come.  There were patches where the January bushfires were clearly still tattooed on the slopes and fire tracks delineating where successful crews had held back flames and saved habitat. There were plenty of new shoots and lots of native orchids, butterflies and creatures coming out to play in the spring time. The bellow of the river frogs and a promise from signs that we might see a few splashes from the river rats – Rakali – the only freshwater amphibious mammal other than the platypus in Australia.  (I heard the frogs but didn’t spot any of the endangered rakali.) I wanted to grieve for what has been lost in our story and our connection to these places along the way and I wonder how we can make and take time to honour what has been lost and what is under threat of being lost. While I eaves dropped on conversations along the trail, not once did I hear anyone talking about the environment. Chatter seemed full of family, caring responsibilities, work commitments, juggling life across generations and expectations. Without the planet though, all these things will be moot and until can mourn for what we have lost, celebrate what we have, we may not be able to resist and preserve, rehabilitate and restore. There are rituals waiting to be made and old and new stories to be written and sung into being. Those who have and make space and time to reflect are on their eldership pathway. I think a new generation of activists embracing their eldership is emerging.  They are the ones who have known generational pain, grief and can hold the space for sorrows to be shared, and healed. I am imagining rituals where we mourn what was not done in a Federal budget, loss of habitat and the lack of equity in our world. I am imagining lamentations that go deep and call us to action.  Going for a walk is as good a place to start as any.

... the path to heaven doesn’t lie

down in flat miles. It’s in the

imagination with which you perceive this world and the

gestures in which you honor it. – from The Swan by Mary Oliver

Pioneers Women’s Trail 18 October 2020


                                                                                              

Year of activism #14

This is the most unusual of Passover and Easter, Spring ceremonies – all unable to have the rituals of family gatherings, filled churches, music festivals and public celebrations noting the passing of death to life and resurrection.  No school holiday camping trips.  All the adaptations I am hearing about and seeing on line and even participating in a few myself are a testament to our species being great improvisers.  There is a yearning though more than ever for human contact and my  isolation, with all I need, makes the alone-ness a first world problem. Physical distancing is the privilege of the rich.  Once again I am deeply reminded of Mary Oliver‘s question: What is it you plan to do with your one wild precious life?

We are in twilight, like crepuscular creatures coming out in the spaces between day and night on a threshold waiting for the new to begin and more importantly, the old to end.  How we consider, reflect and make note of this time seems to be the work of isolation. If we go back to the used future we failing ourselves, future generations, other species and our Mother Earth.  We would have missed the point, if it comes at the price of totalitarianism being birthed in fear campaigns leveraging on what it means to belong and who is in and who is out. In my own community this is being fueled by signs being put up in public places, by the local Member of Parliament, asking people to stay away if they don’t live in the same postcode. While it is a measure perhaps needed in coast side townships in what would ordinarily be a holiday destination, it is reaching into a base note in our herd mentality and will actually injure our spirit and capacity over time. It is not true, even in these circumstances, that we don’t need each other – in fact it is the opposite – we need each other more than ever. We will not be able to get this virus under control, in these pre-vaccination days, without mutual aid. At the international level it will be an age before borders can be relaxed and travel restrictions lifted.  I can only imagine a future where those have loved ones inter-state, in other countries and indeed other continents will be able to touch one another again.

Activism in a time of twilight is gathering up what we have to take into the night and in equal measure what we need to take into the light.  Like the Easter story we are in waiting for the dawn to arrive, the stone to be rolled away and the transformation from this cocoon to reveal new ways of making sense of the world and co-creating our shared future.

Just as the caterpillar is not like the butterfly, we have this opportunity to be completely transformed and travel in our world differently, seeing forms from new heights and perspectives, feeding on the same plants perhaps but with a much lighter touch, flying over landscapes with beauty instead of chomping our way through leaving a trail of destruction.

Praxis is what has underscored my activism over the years. Paolo Friere taught it is through education and building urgency, finding the restlessness, the experience of being impatient and holding onto hope while critically examining our oppression, that opens up the creative reflection and practical action. This is unlocked and unleashed in the learning process itself.  We have this time, in our privilege, those of us in that situation, to be students to this isolation and learn what revolution it is calling us to, or from an element of this Christian season – what metanoia – what are we being called to turn around. There is nothing neutral here, we are called to be actors in our own liberation and work collectively to discover how we might go forward and those of us with the luxury of isolation can make this a time of activism where we examine our part in oppression and how we might come out of the pupa more mature and transformed.

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Photo by Bankim Desai on Unsplash

Sparks will fly #4 #wings

It has been hot, hot, hot this week, plenty of sparks flying when the temperature reaches 46C.  The afterglow of the heat in the sunsets has been spectacular and a reminder of the eternal dance between heaven and earth. We are in a season where bushfires are a sniff on the north wind long before they arrive and so far they have not taken their February Dragon form, as Colin Thiele once wrote.

This has been one of those ordinary weeks full of extraordinary moments. Leigh Sales latest book An Ordinary Day takes a practical examination with her usual curiosity of how your life can change in an instant. You get up in the morning, stretch, do your ablutions, get dressed, have some breakfast … it is an ordinary day … and by the next time you head to sleep you are not the same as you were woke up.  We have all had those days – grief, joy, new job, lost a job, become a wife, become a parent, become a widow. Maybe you have become a hostage, been in a car accident, won the lottery … ordinary people changed forever. This is the human condition as the Buddhists remind us – suffering, death, impermanence. Everything will pass. All the more reason to savour those moments full of spark and energy and build as fuel for the times when there might be little in the tank, and for resilience when a withdrawal is needed.

So far this year I have woken up more times in other people’s houses than I have in my own, the equation will balance out in no time at all. Waking up in new places is a metaphor all of its own, and when those moments come to shake us all about and rip us from moorings or rise us to new heights, we do get woken up again and again.  I am noticing there is a theme emerging about paying attention. Thanks Mary Oliver once again, and to miksang practice and Thich Nhat Hanh and Br David Stendl-Rast and Pema Chodron … and all the others over the years who have reminded me to pay attention.  I can see times when I have not been awake, have turned away, not wanted to look, not wanted to pay attention, moved too quickly to the next moment.  Being in the moment is one of those universal truths to co-operate with the foundations of impermanence and embrace the invitation to pay attention. Each little spark has the potential to be something bigger like a bushfire – and with it to be destructive, cleansing impurities, turning sand to glass, healing the earth, bringing ancient seeds to life.

I went to sleep last night after one of those days. A day of joy and filling up. A day of harvest and recognition. A day putting fuel into the reserve resilience tank to draw on into the future. A day where simplicity and complexity and mixed emotions combined. A day where the evidence of collaboration, secret squirrels and bureaucracy, contrived a gift. I received an Australian Honour. It is an AM – Australia Medal and for those who don’t know about these things – it is prestigious.  I discovered the nomination had been put in nearly two years ago and with the efforts of a band of friends, colleagues, peers and family providing all the details and evidence required by the process hosted by the Governor-General’s office.  Many of the contributions have been invisible and to have them out in the open with this shorthand of two letters to tell that story is very touching and I do feel honoured.

I could give a litany of actions public, private and some in-between – just as we all could – that are in the service of others. That is really the point – we spark off each other. Someone else’s need is another’s gift and more often than not, the gift of time, talent and/ or energy transmitted is helping the giver as much, if not more, than the receiver.  That has been true for me anyhow. I have learnt new things, discovered new opportunities, found ways to work around problems, created and amplified, had fun and generally been well and truly rewarded by seeing something come to fruition or a person blossom and bloom.

This relationship between service and paying attention is so brilliantly reflected in the arts. How often do we get to see with new eyes through a creative paying attention? So it was very fitting that I ended up at the close of play yesterday with the sun setting behind me while I sat on a butterfly chair, created by a local woman (Anna Small) who could see wings.  One of the conversations I had during the week, one of those moments to carry me through a lifetime, was an invitation to see this time as encased in a cocoon, liquified and not yet fully formed into a new creature. At this moment encased in a silk, protein, hard purse hosting the changes hidden inside, first spun by the old being before the new one forms. This spark of insight to see the old form having first spun the protective coating to enable the new to form is so obvious once I pay attention. I am exploring what branch my chrysalis is hanging from and how delicate the wings will be when they unfurl wet and perhaps still a little bit gooey. What was hidden on the inside, is woven around and then voila – something new that was already there!

After the winter, there is spring, after the chrysalis, there are wings. Now in this moment, and coming soon, are dangerous and noble things, calling for lightness, improbability, boldness and bravery.  Sparks. Will. Fly.

 

…..Extract from Starlings in Winter by Mary Oliver

I feel my boots
trying to leave the ground,
I feel my heart
pumping hard, I want

to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.

Mary Oliver, from Owls and Other Fantasies: Poems and Essays, 2003

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Sparks will fly #3 #taking

Riffing off a conversation during the week about the difference between giving and receiving and giving and taking has set some sparks flying.  I am pretty good at giving and I am getting better at receiving but the idea of taking that is foreign territory. What does it mean to take?  Literally to grab something with both hands, yank it into your life, pull it towards you feels a little violent and perhaps even greedy or entitled … but what if it was about showing up, leaving nothing to chance, proactively and decisively making a claim? I think I am out of practice at taking a trick. We played a lot of cards and board games when I was growing up but no so much in recent times.  I steered away from competitive activities and have somehow aligned taking with competition – if I have something then someone else doesn’t.  This is not true.  That is a scarcity mentality and that doesn’t line up with my usual approach to life around abundance.

Taking and giving are not mutually exclusive. I can take a photograph and enhance the beauty of what is there and see something new and give that to others. I can take a position and advocate to be more inclusive which opens up, not closes down possibilities. I can take what I imagine is potentially mine and that need not be taking from another or from someone else’s future. There is intentionality in taking that feels quite different to the humility of receiving.  This is sparking me up to consider what might I like to take from this time?  What might I want to manifest, grab with both hands … make happen, instead of passively let happen?  Alert: No children will be harmed in the making of taking.

With the death of Mary Oliver this week I have been reflecting on her legacy to future generations and how even a tiny spark of her talent has held me many times. She took from the natural world and shared her insights. She absorbed, at a cellular level the lessons of all things elemental. While we received, she did take, and knead and hold and filter and fuse. I am sure she would have seen her taking as necessary for her to give.  In fact her instruction is quiet clear in her famous One Summer Day poem meditating on the grasshopper – what is your plan to do with your one wild and precious life?  Embedded in that line is a confirmation and imprimatur, to be wild, accept your life as uniquely precious and irreplaceable, unable to be replicated as each day, each moment to be spent by only you and the way to you spend it. Making a plan includes giving, receiving and taking. Paying attention to falling down, kneeling, rolling in the grass, gazing around, floating away – these are all instructions from the school of life and living includes pushing through pain barriers in dark days, unfurling wings while they are still wet, moving the jaws up and down, ruminating, chewing through things hard to swallow, being nourished and fed in the process.  I don’t know what a prayer is either, but the spark to consider taking as well as receiving and not making anyone else the poorer, weaker or losing in the process that may also make be richer, stronger and a winner along the way is worth considering … and even a bit of planning.  Here’s to the summer day!

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean–
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down —
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel in the grass,
how to be idle and blessed, how to stroll through the fields
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?

by Mary Oliver

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Photo by Chris Galbraith on Unsplash

ps To hear or read an interview with Mary Oliver and Krista Tippett from On Being click here.

 

First breath

Cape Town Anglican Cathedral - walking the labyrinth and a feather on the path

Cape Town Anglican Cathedral – walking the labyrinth and a feather on the path

Breathing life into a blog seems like the best way to start.

The year is coming to an end and this is a year that I dedicated to reading and listening to more poetry – I made a small start and read more of Mary Oliver and David Whyte and also read some of the poet laureate of Kazakhstan Olzhas Suleimenov. I also spent time enjoying the poetry in the company of songs by Eric Bogle, Paul Kelly, Pete Seeger and Bruce Springsteen. I love the sound of poetry put to music in song and the lyric and the tune finding each other and hugging the sounds and the syllables together.

Amidst the poetry life flowed too and when I think of Hildegard’s poetic wisdom in words and pictures I always seem to come back to her phrase ‘ a feather on the breath of God’. David Whyte says good poetry begins with the lightest touch and I am sure Hildegard would be satisfied with this thought.  So too I want this blog to be about the lightest touch, the feel of a feather against the skin,or gently floating on a summer’s breeze.

I am also reminded of one of my favourite tales where the dove is asked by the coal- mouse: How much does a snowflake weigh? And the dove answers “nothing more than nothing and the tale goes:

“In that case, I must tell you a marvelous story,” the coal-mouse said.

“I sat on the branch of a fir, close to its trunk, when it began to snow — not heavily, not in a raging blizzard — no, just like in a dream, without a wound and without any violence. Since I did not have anything better to do, I counted the snowflakes settling on the twigs and needles of my branch. Their number was exactly 3,741,952. When the 3,741,953rd dropped onto the branch — nothing more than nothing, as you say — the branch broke off.”

Having said that, the coal-mouse ran away.

The dove, an authority on this since the time of Noah, thought about the story for awhile, and finally said to herself, “Perhaps there is only one person’s voice lacking for peace to come to the world.”

These elements of air and space – a single breath, a feather, the lightest touch, a snowflake – all call me to a place of knowing my smallness is significant and perhaps all that the world needs right now and it is my inheritance to breathe and be alive even in the moments I want to hold my breath.

This is my first breath to bring my blog to life.

The Lightest Touch

Good poetry begins with
the lightest touch,
a breeze arriving from nowhere,
a whispered healing arrival,
a word in your ear,
a settling into things,
then like a hand in the dark
it arrests the whole body,
steeling you for revelation.

In the silence that follows
a great line
you can feel Lazarus
deep inside
even the laziest, most deathly afraid
part of you,
lift up his hands and walk toward the light.

— David Whyte
from Everything is Waiting for You 
©2003 Many Rivers Press