Tag Archives: Springsteen

Promises to Tomorrow #7 Badlands

Vows are a solemn promise to the future. Not necessarily a guarantee, but certainly a declaration and always vocational, a sacred intention.  How do we bring our commitments to fruition in an ever-changing complex world?  The idea of a vow is an old fashioned one and connected to a time where relationships had their own time line linked to the longevity of a human’s life span.

I promise to be true to you in good times and in bad, in sickness and in health. I will love you and honour you all the days of my life. Wedding vows

The good times and the bad times – in equal measure and yet sickness comes before health in the marriage vows, a secret code embedded into the transaction to let you know that is where the learning will most likely come.  Another hint of the future hidden in the vows knowing the days of life are limited and finite.

Loving you is also a key message – not loving some kind of preferred imaginary version of you, but you, a clever little word able to be singular and plural.  What if the vow refers to the plural – the you the couple becomes by being in union?

Taking an oath is sacred and sanctified by the witnesses.  In these days when the oath is linked to office or evidence it is a public declaration that brings integrity and honour.  It is also an opportunity to be humble and being willing to hold yourself to some kind of public account. It is a marriage with the people or with the truth.

Our world is challenged by ‘fake news’ and ‘alternative facts’ and so the marriage, the social contract with those who have taken vows and oaths on our behalf: delusional leads to dissolution.  The marriage between political leaders and the public is heading to divorce. The public prefer the good times and health to bad times and sickness and their patience won’t last as long as most marriages.

The social contract between those who make oaths and vows with us is under threat. Springsteen forecasted in Badlands (from Darkness on the Edge of Town) these badlands are the price to pay before we are raised above and are treated so much better.  The vows strain towards hope, lean towards fidelity, taken in dark times, cling to the promise of better days beyond the badlands.

Poor man wanna be rich,
Rich man wanna be king,
And a king ain’t satisfied,
’til he rules everything …

Well, I believe in the love that you gave me,
I believe in the faith that can save me,
I believe in the hope and I pray,
That someday it may raise me
Above these badlands …

Badlands, you gotta live it everyday,
Let the broken hearts stand
As the price you’ve gotta pay,
We’ll keep pushin’ ’til it’s understood,
And these badlands start treating us good …

What vows will you make to the future to go beyond the badlands?

My promise to the future is a vow: to be true to you (plural) and bring my truth to our conversations in public and private domains; seek to honour others truths;  bring what health I can to places where there is ill health … and that will take me into the badlands.

 

 

Are Stadiums the new Cathedrals?

This week I made a pilgrimage to Melbourne to see one of my all time favourite American musicians- Bruce Springsteen and the E Street Band. I wasn’t alone in my pilgrimage … thousands of fans around the world have made similar pilgrimages. I wonder if stadiums (or is it stadia?) are the new Cathedrals in our fiercely secular country? There was certainly the call and response, the altar call, the faithful and the high priest. There was ritual and liturgy. We all knew what to expect and what part we had to play – supporting the star to crowd surf, reverently remembering the fallen, acclaiming the alchemy, respecting the hallowed ground and finding our own spirit nourished by the sound, the energy and the message. The standing up, sitting down, dancing, waving, hand clapping, air punching, sign holding, gentle swaying; all liturgical movements of their own like fingers in a glove, in place and in time.

Songlines that bind generations and cultures together sharing the same vision for a world where the worker is at the heart of society. No job too small or too big and certainly this was a band that has earnt its reputation as the ‘hardest working band in rock and roll”. They are like the union choirs and bands of old, blending their voices, instruments and message into one harmonious and triumphant wall of sound (yes there were a few moments that Phil Spector would have been very happy). Watching them work together was a master class in team work and collaboration. There was room for everyone. I kept noticing the guitar technicians, the lighting crew, the backstage staff, all worker bees buzzing around to be in the exact right place and the exact right time and never failing or faulting. When the final applause came the conductor, team captain, high priest and guru all rolled into one, patted everyone on the back before he left the stage, a job well done that they all did together. Yes a masterclass in leadership as well was thrown in.

Hildegard, my hunch is that your Abbey and the cathedrals you frequented were like this stadium too – full of pilgrims, talent and glorious sounds. Your music still brings me to my feet, fills my soul with joy and a message that sustains me. I can imagine you and Bruce sitting down together with your communities maybe on an E Street somewhere and discovering what your communities both have in common.

Arm the Homeless

Seeing Tom’s guitar shouting out messages that Woody Guthrie would have been proud, has plenty in common with your sisters leaving their homes and supporting your land reforms. The legacy of Clarence and his saxophone lives on and the homage paid by the faithful would be understood and shared as gift given and still being received by the next generation. You might have a conversation about recent elections – Obama and Francis – and discuss your own parts in those historical events. I know as an Aussie a long way from the US, how grateful I am to Bruce for helping out on Obama’s campaign and have given thanks more than once!

I love the continuous tradition that music enables of speaking truth to power, providing a vehicle for the masses to sing their songs of hope and fear, celebration and commemoration, grief and joy. I love the threads that come together when I can hear a celtic reel in an working class anthem or a drone echoing in a chorus or an organ chord progression that is ancient and commanding as ever.

Maybe the stadium is the new cathedral or maybe it isn’t – but I know that across the aeons we are all connected and kairos happens. That special and unique moment that connects me, in real time, to both Bruce and Hildegard; E Street and Bingen.

Check out the Notes from the Road #2 Melbourne

Rod Laver Arena, March 26, 2013